Twin Peaks, Zombies, +++

Ramones (Bloomsbury) has been translated into Italian by the wonderful Minimum Fax publishers!

An appreciation of Night of the Living Dead is up at Berfrois.

Some thoughts about Twin Peaks: The Return are here at Filmmaker.

And some words about Tom McCarthy’s Typewriters, Bombs, and Jellyfish is at 3:AM Magazine.

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WORK

Fiction
The Absolution of Roberto Acestes Laing / novel, Two Dollar Radio 2014
“A Woman of Theory” / Berfrois
“The Removals” / Berfrois
“Destroyer” / 3:AM Magazine
“The North African Unit” / 3:AM Magazine
“The Pixel Trade” / Vol. 1 Brooklyn
“The Ones” / Fiddleblack
“Hector & Hector” / matchbook
“Love in War Time” / decomP
Film
The Removals / produced by Two Dollar Radio / starring Milly Sanders, Jeff Wood, Andrew Sensenig
And now on VHS, here!
Nonfiction Books
Ramones / #20 in the 33 1/3 series, Bloomsbury 2005
A Cultural Dictionary of Punk / Bloomsbury 2009
10/40/70 / ZerO Books 2014
Cinema in the Digital Age / Columbia University Press 2008
New Punk Cinema (ed.) / Edinburgh University Press 2005
Long-form Visual Essays
“The Blue Velvet Project” / Filmmaker Magazine
“The Carmen Horse”(Lana Del Rey Project) part 1, part 2, part 3 / Berfrois
Essays
“The White Worm: Upstream Color / Los Angeles Review of Books
“Cineplex Hopping” / n+1
“The Age of Happiness” / Oxford American
“Kiyoshi Kurosawa’s Doppelganger / The Believer
“D.W. Griffith’s His Trust / The Believer
“Avant-Garde Realism” / CTheory
“Dana Levin and the Problem of Light” / Berfrois
“Book Notes” / largehearted boy
“You May Never Find Your Way Back: Shirley Jackson” / The Rumpus
“Six Asides on Paranormal Activity 2” / Filmmaker Magazine
Interviews
“Nicholas Rombes by Andrew Gallix” / BOMB Magazine
“Into the Void: Rombes and Mark De Silva” / 3:AM Magazine
“Weird is What Reality Actually Is” / Weird Fiction Review
“Running Around Being Clones of Ourselves” / The Rumpus
“If Anything the Film Directs You” / Vol. 1 Brooklyn
“On Joan Didion’s Play It as It Lays” / electric literature
?!?
“The Happiness Engine + Graphics” / Journal of Compressed Creative Arts
The Removals clip / Vimeo
CDoP Cover / The Book Design Review
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Laing

 THE ABSOLUTION OF ROBERTO ACESTES LAING

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A haunting debut novel” —The Los Angeles Review of Books

“Excellent and nightmarish . . . Rombes’s novel is a love letter to this art of misremembering’: these destroyed films become as real as any film playing at a theater near you.”  —The Paris Review

“Beautifully composed, chillingly paced, and formed of descriptions of films you want desperately to see even if you know they might drive you mad. . .” —Full Stop

“Rombes smuggles the avant-garde into a novel that appears to be realist, to be conventional. . . The oddities of this novel, the ways that it breaks from meaning, often sneak up on you.” —American Book Review

“A novel—and a very welcome one at that—about the right to be forgotten and about the immense joys that impermanence can provide.” —The Brooklyn Rail

“A metaphysical layer cake.” —Diesel Book Store

“A strong contender for novel of the year.”3:AM Magazine

“Rombes’s knowledge and caretaking of film history, as well as the strange feeling of imagining lost artworks by some of our greatest directors, makes this debut novel addictive reading.”  —Blake Butler, Vice

“I very much enjoyed this weird, disturbing, sometimes effe-ed up novel about strange films, lost films, and the fragile faith in the difference between our fictions and our realities.” —Jeff VanderMeer, author of The Southern Reach Trilogy

Interview (including the part about the knife fight . . .) at Weird Fiction Review.

Profile over at The Irish Times.

Thank you to Flavorwire for including Laing as one of the best indie books of 2014.

The second trailer for the Laing novel is up over at Vimeo.

The Absolution of Roberto Acestes Laing, trailer #2 from Nicholas Rombes on Vimeo.

Thank you to Glenn Kenny for his kind write-up about the novel, over here.  In part: “[a]n uncanny pleasure, a secret history in a series of alchemical celluloid prose poems. I enjoyed the hell out of it even as it began to conspire with my dreams.”

I’m in conversation at Electric Literature with Colin Winnette about Joan Didion’s novel Play It As It Lays (from which I nicked the name “Lang / Laing).

I’ve annotated a section of the novel at LitGenius.

At Necessary Fiction Steve Himmer kindly invited me to contribute to “Research Notes” for the novel, I write about two filmic influences: Maya Deren’s Meshes of the Afternoon and David Lynch’s Mulholland Drive.

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Shivers x 4

 

“Shivers” demo, 1978, The Young Charlatans:

 

 

“Shivers” by The Boys Next Door (Nick Cave), 1979:

The author’s version: Rowland S. Howard, from a 1999 performance:

 

Courtney Barnett, 2015:

 

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Removals

Here.

RemovalsMontage from Nicholas Rombes on Vimeo.

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Removals Press Kit

The Removals-Press Kit for The Removals.

 

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The Story of X

I received, in last week’s mail, in trust for delivery to X, this letter from Berfrois.

Screen Shot 2015-02-09 at 7.25.30 PMThe note above refers to this communiquéfrom X to Berfrois.

And the background to all this is an outlandish, “first-frame-of-each-shot-of-Lana De Rey’s video ‘Carmen'”–submitted through a close intermediary of mine on behalf of X to Berfrois.

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Between the Absolution novel and the next, looming letter from X it’s all given rise, as Julia Kristeva once wrote, to a feeling of “perpetual danger.” I’m still feeling around in the dark for the escape hatch.

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